Brand systems

Projects

ATRA

Who: Paid media focused marketing company

Role: Creative Manager | Designer

Responsibility: Collaborated with the CEO and VP of Operations to determine a name, logo for a new company, as well as an experimental design used throughout a unique brand system

Strategy

The visual strategy was built around maximum contrast as a philosophical stance. The color system, near-black grounds with a sharp electric cyan, was chosen specifically to feel alien in the marketing agency space where warm neutrals and corporate blues dominate. Typographically the wordmark is set with tight mechanical spacing that signals precision and focus. The extended layout system embraced asymmetry and texture to give every application a restless forward-moving energy that matched the agency's data-driven but creatively experimental positioning.

Logo

The logo itself was meant to be simple and straight-forward. After some exploration, a decision was made on this logo which featured 2 abstract mouse cursors at the front and back of the logo, making the A, also symbolizing from first to last click of a user. 

Exploration

  • After researching colors with other marketing agencies, the brand colors were chosen as to stand out and disrupt the competition
  • The designs for the company itself ranged from creating posters for inside the office to skateboards
  • The designs were meant to be a mixture of mystical, digital, data-influenced and heavily abstract
  • The entire team loves music so we decided that our case studies could be represented with somewhat the same abstract style as the posters, but related to the case study material at hand, and look like an album cover

Case Study Covers

Office Posters

Brand Intro Video

Strategy

The visual strategy was built around maximum contrast as a philosophical stance. The color system, near-black grounds with a sharp electric cyan, was chosen specifically to feel alien in the marketing agency space where warm neutrals and corporate blues dominate. Typographically the wordmark is set with tight mechanical spacing that signals precision and focus. The extended layout system embraced asymmetry and texture to give every application a restless forward-moving energy that matched the agency's data-driven but creatively experimental positioning.

Logo

The logo itself was meant to be simple and straight-forward. After some exploration, a decision was made on this logo which featured 2 abstract mouse cursors at the front and back of the logo, making the A, also symbolizing from first to last click of a user. 

Exploration

  • After researching colors with other marketing agencies, the brand colors were chosen as to stand out and disrupt the competition
  • The designs for the company itself ranged from creating posters for inside the office to skateboards
  • The designs were meant to be a mixture of mystical, digital, data-influenced and heavily abstract
  • The entire team loves music so we decided that our case studies could be represented with somewhat the same abstract style as the posters, but related to the case study material at hand, and look like an album cover

Case Study Covers

Office Posters

Brand Intro Video

Logo

Primary Logo

Mark

Primary Mark
Exclusion zone

Color Palette

Primary Colors
Hex: #252D2B
RGB: 37/45/43
CMYK: 18/0/4/82
Hex: #31C1DA
RGB: 49/193/218
CMYK: 78/11/0/15
Secondary Colors
Hex: #FF6F59
RGB: 255/111/89
CMYK: 0/56/65/0
Hex: #151A1A
RGB: 21/26/26
CMYK: 19/0/0/90
Hex: #515B5B
RGB: 81/91/91
CMYK: 11/0/0/64
Hex: #F0EEF3
RGB: 240/238/243
CMYK: 1/2/0/5
Hex: #FFFFFF
RGB: 255/255/255
CMYK: 0/0/0/0

Typography

Typeface: New Hero

Icongraphy

Primary Icons

Photography

Abstract

Case Study Covers

Office Posters

Website

Brand Intro Video

Services

Shirts

Proteum Energy

Who: Proteum Energy is a clean-technology and hydrogen production company based in Phoenix, Arizona

Role: Art Director

Responsibility: Collaborated with the client/team to develop a visual identity centered around a predefined typographic direction

Strategy

The strategy centered on visual restraint as the core differentiator. Where most energy brands default to aggressive color and heavy typography, Proteum went the opposite direction, using generous white space as an active element in the composition. The layout lets the mark breathe and command attention through isolation rather than density. The typographic direction used a geometric sans that carries scientific precision without coldness, with tight tracking on the wordmark reinforcing the technical character throughout the system.

Brand Colors

  • By looking at competitors to the client, I was able to establish colors that relate to their industry and name, but also help it stand out from what their competitors are using for brand colors
  • The final product ended with a minimal use of color, letting the space around it help it stand out and create an impact

Exploration

  • The initial designs start with exploring off shapes that can relate to carbon and hydrogen particles
  • Explored a wide range of abstract logo ideas to find a direction that felt modern and energetic
  • Iterated through different geometric shapes and symbol concepts to refine the balance, movement, and overall feel of the final mark
  • Tested multiple logo layouts, proportions, and typography pairings to create a strong connection between the icon and wordmark

Strategy

The strategy centered on visual restraint as the core differentiator. Where most energy brands default to aggressive color and heavy typography, Proteum went the opposite direction, using generous white space as an active element in the composition. The layout lets the mark breathe and command attention through isolation rather than density. The typographic direction used a geometric sans that carries scientific precision without coldness, with tight tracking on the wordmark reinforcing the technical character throughout the system.

Brand Colors

  • By looking at competitors to the client, I was able to establish colors that relate to their industry and name, but also help it stand out from what their competitors are using for brand colors
  • The final product ended with a minimal use of color, letting the space around it help it stand out and create an impact

Exploration

  • The initial designs start with exploring off shapes that can relate to carbon and hydrogen particles
  • Explored a wide range of abstract logo ideas to find a direction that felt modern and energetic
  • Iterated through different geometric shapes and symbol concepts to refine the balance, movement, and overall feel of the final mark
  • Tested multiple logo layouts, proportions, and typography pairings to create a strong connection between the icon and wordmark

Logo

Primary Logo

Mark

Primary Mark
Exclusion zone

Color Palette

Primary Colors
Hex: #252527
RGB: 37/37/39
CMYK: 5/5/0/85
Hex: #f1572f
RGB: 241/87/47
CMYK: 0/64/80/5
Hex: #f4efe8
RGB: 244/239/232
CMYK: 0/2/5/4
Secondary Colors
Hex: #0077b6
RGB: 0/119/182
CMYK: 100/35/0/29
Hex: #ced1d6
RGB: 206/209/214
CMYK: 4/2/0/16
Hex: #f7f7f7
RGB: 247/247/247
CMYK: 0/0/0/3

Typography

Typeface: New Hero

Icongraphy

Primary Icons

Photography

Energy bleached photos

Business Stationary

Moodboard

Typeface: New Hero

SunState Medical

Who: Paid media focused marketing company

Role: Designer

Responsibility: Developed a spec brand identity concept for a medical company based in Arizona

Strategy

The visual strategy worked against the category default. Most medical brands communicate trust through cool blues and rigid grid layouts, which read as institutional rather than human. SunState's color system was built on a warmer architecture, a primary gold that carries optimism and desert warmth, balanced against a muted slate blue that supplies clinical credibility. The typography pairs a humanist sans for approachability with tighter-spaced utility type for labels and data, creating a hierarchy that feels both trustworthy and accessible across every layout.

Logo

The logo itself was meant to be simple and straight-forward. After some exploration, a decision was made on this logo which featured 2 abstract mouse cursors at the front and back of the logo, making the A, also symbolizing from first to last click of a user. 

Exploration

  • Explored a wide range of color combinations of competitors in the medical/healthcare industry to see what we can use to stand out
  • Tested different typography styles ranging from modern sans-serifs to more traditional type treatments to refine the brand personality
  • Evaluated multiple font pairings to create strong hierarchy, readability, and a clean medical feel

Typography Exploration

Typography Exploration

Case Study Covers

Office Posters

Brand Intro Video

Strategy

The visual strategy worked against the category default. Most medical brands communicate trust through cool blues and rigid grid layouts, which read as institutional rather than human. SunState's color system was built on a warmer architecture, a primary gold that carries optimism and desert warmth, balanced against a muted slate blue that supplies clinical credibility. The typography pairs a humanist sans for approachability with tighter-spaced utility type for labels and data, creating a hierarchy that feels both trustworthy and accessible across every layout.

Logo

The logo itself was meant to be simple and straight-forward. After some exploration, a decision was made on this logo which featured 2 abstract mouse cursors at the front and back of the logo, making the A, also symbolizing from first to last click of a user. 

Exploration

  • Explored a wide range of color combinations of competitors in the medical/healthcare industry to see what we can use to stand out
  • Tested different typography styles ranging from modern sans-serifs to more traditional type treatments to refine the brand personality
  • Evaluated multiple font pairings to create strong hierarchy, readability, and a clean medical feel

Typography Exploration

Typography Exploration

Case Study Covers

Office Posters

Brand Intro Video

Logo

Primary Logo
Exclusion zone

Mark

Primary Mark

Color Palette

Primary Colors
Hex: #F1C019
RGB: 241/192/25
CMYK: 0/20/90/5
Hex: #465C69
RGB: 70/92/105
CMYK: 33/12/0/59
Hex: #ffffff
RGB: 255/255/255
CMYK: 0/0/0/0
Secondary Colors
Hex: #151A1A
RGB: 21/26/26
CMYK: 19/0/0/90
Hex: #7FD8BE
RGB: 127/216/190
CMYK: 41/0/12/15
Hex: #A1FCDF
RGB: 161/252/223
CMYK: 36/0/12/1
Hex: #E84855
RGB: 232/72/85
CMYK: 0/69/63/9

Typography

Typeface: Poppins

Icongraphy

Primary Icons

Photography

Abstract Medical + Arizona Overlay

ECO Mammoth

Client Commissioned Proposal

Who: Investors looking to start a unique construction waste management company

Role: Designer, Researcher

Responsibility: Collaborated with the client/team to develop a visual identity centered around a predefined typographic direction

Strategy

Construction brands almost universally default to heavy black type, orange safety colors, and aggressive energy. ECO Mammoth was designed to flip that entirely.

The investors gave two forms of inspiration the logo was to replicate: sports logos from the NFL, and a mammoth. The primary yellow is playful and almost cartoonish at large scale, deliberately so, creating instant visual recognition in a space that takes itself too seriously. The mammoth mark was drawn with weight and confidence but given rounded approachable details. Compositionally the identity system leans into scale contrast, the mark large and commanding, the wordmark compact and secondary, so every layout application has a single memorable visual anchor.

Brand Colors

A San Francisco based start-up was looking for us to do a quick-spec proposition work into a construction-based dumpster company idea. Ultimately they did not receive funding to be able to start work. 

Strategy

Construction brands almost universally default to heavy black type, orange safety colors, and aggressive energy. ECO Mammoth was designed to flip that entirely.

The investors gave two forms of inspiration the logo was to replicate: sports logos from the NFL, and a mammoth. The primary yellow is playful and almost cartoonish at large scale, deliberately so, creating instant visual recognition in a space that takes itself too seriously. The mammoth mark was drawn with weight and confidence but given rounded approachable details. Compositionally the identity system leans into scale contrast, the mark large and commanding, the wordmark compact and secondary, so every layout application has a single memorable visual anchor.

Brand Colors

A San Francisco based start-up was looking for us to do a quick-spec proposition work into a construction-based dumpster company idea. Ultimately they did not receive funding to be able to start work. 

Logo

Primary Logo

Mark

Exclusion zone

Typography

Typeface: Custom

Color Palette

Primary Colors
Hex: #0d1321
RGB: 13/19/33
CMYK: 61/42/0/87
Hex: #ff9fb2
RGB: 255/159/178
CMYK: 0/38/30/0
Hex: #ffcd69
RGB: 255/205/105
CMYK: 0/20/59/0
Hex: #00a7e1
RGB: 0/167/225
CMYK: 100/26/0/12
Secondary Colors
Hex: #114b5f
RGB: 17/75/95
CMYK: 82/21/0/63
Hex: #ffe1ab
RGB: 255/225/171
CMYK: 0/12/33/0
Hex: #ffffff
RGB: 255/255/255
CMYK: 0/0/0/0

Industrial Signage

Approach

Research
Audit the market, know your audience, and map your competitors. Uncover the white space your brand can own.
Foundation
Define your mission, vision, and values. This is the strategic core everything else is built on.
Develop
Translate strategy into identity: name, voice, visual language, and positioning.
Build
Create brand guidelines and roll out consistently across all touchpoints — web, packaging, social, and beyond.
Maintain
Show up consistently, tell your story on the right channels, and build trust over time.
Grow
Track loyalty, gather feedback, evolve thoughtfully, and protect your identity as you scale.

What Did I Learn

  • The exploration phase is where the best typography and composition decisions get made. Pressure to land quickly on a direction often skips the iteration that reveals what actually works
  • Restraint in color is a composition decision, not a limitation. Limiting a palette to two or three tones forces every color moment to carry weight, which creates more impact
  • Whitespace is an active element in a layout, not empty space waiting to be filled
  • Competitive audit is a color and composition exercise as much as a strategy one
  • A brand system needs to hold up at every scale, from a favicon to a billboard

See a Fit for Your Team?